The profession of photojournalism – an investigation into objectivity, principles and ethics
In 2004 Ahmed Jadallah won the World Press Photo of the Year Award for his image of refugees in the Gaza Strip. The picture was taken in March 2003 in the aftermath of an Isreali tank attack in Jabalya refugee camp. At the time Jadallah and his group had been hit by a bomb. Jadallah describes the incident stating “It’s really hard, you know, to see people dying in front of you and I was feeling that I was also dying.” (cited in Leith, 2004, p. 200) He then describes a big hole opening up in the ground and he felt he was falling. After waking up he realised he too was injured. “My legs had been broken, I thought I was dying, and I couldn’t move but I did my job and I took pictures of the dead people beside me.” (cited in Leith, 2004, p. 201) Ahmed Jadallah’s picture captures the horrific scene, the brutal reality, the chaos and the sad truth of death and conflict. Jadallah claims there were no gunmen in the vicinity when they were attacked, only civilians. Ahmed Jadallah’s story, like many other photojournalists, allow us to see the need for photojournalism as a powerful voice within society as well as the danger of the profession and ethical and moral issues involved. “For me I don’t have any power, only the hope that there is change and only the ability to try my best as a journalist, as a photographer to show what is going on.” (cited in Leith, 2004, p. 203)Jadallah’s humble words poignantly reflect the essential role of photojournalism – to inform and educate the world. Continue reading